Jerry Goldsmith
Birthday: 10 February 1929, Los Angeles, California, USA
Birth Name: Jerrald King Goldsmith
Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given ...Show More
I would have burned out a long time ago if I just took a job, the money and ran with it. There's sti Show more
I would have burned out a long time ago if I just took a job, the money and ran with it. There's still a challenge for me in scoring films. I'm willing to tackle an interesting project if it offers me a chance to do something I haven't done before. When I'm excited about something, the creativity just flows. I like a good creative fight. The soundtrack will always get done. But I'm not happy until it gets done well. Hide
[lecturing film school students about writing music for a scene] "If you are scoring a scene for a m Show more
[lecturing film school students about writing music for a scene] "If you are scoring a scene for a man on a horse galloping away - you don't score the gallop but you score the fear of the rider." Hide
(On the Planet of the Apes (1968) commentary track, he explains why he didn't score the final scene) Show more
(On the Planet of the Apes (1968) commentary track, he explains why he didn't score the final scene) "Charlton Heston was a bit over the top by himself, and didn't need any score to accompany him." Hide
When I get a fantasy film job, the first thing I look for is the non-fantasy element to build the mu Show more
When I get a fantasy film job, the first thing I look for is the non-fantasy element to build the music upon. The human side of the film is what's important, not the hardware. My work on 'Poltergeist' is a perfect example. Most people saw it as a ghost story and a horror story. I saw it as a love story and wrote the music with that emotion in mind. There is no formula to finding what musically fits a science fiction film. I just look for the emotion. When I don't find those, it makes things more difficult. Hide
A good string section and an orchestra are the first things I think of when I start a project. The s Show more
A good string section and an orchestra are the first things I think of when I start a project. The strings are particularly important to me. With them I can do any kind of picture. After the human voice, they are the most expressive instrument I know. Hide
If our music survives, which I have no doubt it will, then it will be because it is good.
If our music survives, which I have no doubt it will, then it will be because it is good.
Jerry Goldsmith's FILMOGRAPHY
as Actor (5)